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EDITORIAL: MUSIC
Amtrak's Metroliner? Never mind that. These days, the ultimate Philly-to-New York connection is Cosmo Baker — that is, when he's doing his DJ thing on the Right Coast.
»FULL
STORY
MixLab, a monthly column published in The San Diego Union-Tribune, was one
of few of its kind in a major daily newspaper. Published from 2000 to 2006, the column explored
the latest music and global trends in electronica, downtempo and
DJ culture. Over the course of nearly six years, MixLab became internationally respected among DJs and music aficionados, and
became a highly sought after placement among music publicists. Samples available upon request.
The Chemical Brothers'
multi-genre sound sits squarely along the border of bombastic splendor
and overblown dissonance. »READ
THE REVIEW
Henry Binns and Sam Hardaker's
approach to their second studio album echoes that of another accidental
success and purveyor of lush, contemplative and soulful music -
Norah Jones. »READ
THE REVIEW
The Crystal Method is
an American band with a new album of American electronic music.
It's the kind of music that a patriotic, guitar-based rocker like
Bob Seger would probably hate, but might respect. »READ
THE REVIEW
Some people dislike Paul Oakenfold enough to have made him the centerpiece
of an unflattering Internet game: Slap A Superstar DJ. »FULL
STORY
It was a few minutes past 9 on a cold, damp and windy March evening.
Outside, it felt like a wet Oregon night, but inside M-Theory Music,
the new record store in Golden Hill, it sounded like San Diego.
»FULL
STORY
Johnny Kawasaki, chief agitator in the [alleged] Antarctica based
duo DJs On Strike asks, "Is DJ culture falling apart because
of us?" Hmmm. »FULL
STORY
Everyone wants their first time to be special and under the best
circumstances. Simon Ratcliffe and Felix Buxton, the UK-based, DJs/producers
known as Basement Jaxx, certainly did. »FULL
STORY
The Crystal Method’s usual studio madness was out of tune
from two straight years of touring. They could have stood up and
walked out on each other. Instead,... »FULL
STORY
N.E.R.D. stands for No One Ever Really Dies. Some hip hop fans probably
think it’s an acronym for Never-Ending Release Dates, based
on the delays surrounding this album. »READ
THE REVIEW
In the hands of someone less dignified than 26-year-old Lauryn Hill,
“MTV Unplugged 2.0” would amount to disastrous pity
party about the risks and rewards of celebrity.
»READ
THE REVIEW
Tricky doesn’t make eye contact with concert audiences. Instead,
he’s usually positioned sideways or with his back facing the
masses. Arguably, in the last few years, he’s also turned
his back on his music. »»READ
THE REVIEW
In a perfect world, the return of Michael D’Angelo Archer
would be the balance-altering, artistic groundswell that makes popular
music safe again. »READ
THE REVIEW
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